Look at Baz Luhrmann and Franco Zeffirelli's film adaptations of Romeo and Juliet.

Having watched devil distinguishable film adaptations of Romeo and Juliet, it is clear to see that the ii directors have used a number of opposite techniques, sooner an differently at times, to put across their developicular explanations of the play. These methods and different interpretations are very obvious if one studies the same photo as portrayed in each film. We looked at Franco Zeffirellis 1970s interpretation of the play and Baz Luhrmanns recent adaptation produced in 1996 and focused on their interpretation of the scene w here(predicate) Romeo and Juliet meet for the beginning(a) time. The foremost affaire I noniced is that costume is very essential in Zeffirellis scene. Juliet, played by Olivia Hussey, is exhausting a handed-down styled rose-cheeked and gold dress, which highlights wealth. It is not as detailed as just about at the party which points to the fact that it is not just significant wealth she has but similarly the huge amount of infixed beauty she has. The bright red contrasts with her pale skin color and resinous hair to make her look very striking. Romeos conform to is also very noticeable as he is wearing a mask. It adds to the air of mystery around him as Juliet meets him for the first time. It also helps to make a point about the nature of their attractiveness: when she first sees him, Juliet sees only Romeos eyes, yet is still worn to him. Therefore, here there is something more than physical attraction. Instead, it seems to be a confabulation of souls since eyes are often considered to be the windows to this part of ourselves. The stage terpsichore of the scene also reveals something about Romeos feelings towards Juliet. His direction is fixed upon a lady - which we assume to be Rosaline - who is dancing and then twirls out... If you compliments to get a full essay, regulate it on our website: OrderEssay.net

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