Tuesday, October 18, 2016
A Man for All Seasons by Robert Bolt
The principal(prenominal) plot of the take to the woods A Man For All Seasons by Robert Bolt is political corruption. The play is heavily focussed on the social descent, and the moral capability of the character doubting Thomas more(prenominal). It excessively covers the reverse process with different characters, such as; well-fixedard Rich, Thomas Cromwell, and Henry VIII., the king of England. In the play Thomas more stands as a beam of selfhood and virtue, while the other terce men used consumption and disloyalty, to gain wealth and power, no matter what the consequences may be. unless to what extent does the play baffle More as a manhood of virtue?\nThe character Richard Rich did not bug out out corrupt in the beginning of the play, but becames obsessed, with prospect of becoming rich and powerful. Rich was denied a upper-level position by More, and in turn accepted a position from Cromwell in interchange for assisting him in taking downward More. He is aware that he is being used by Cromwell, but he is so obsessed with growing his career, and hike to power, he turns a blur eye to it. In a conversation with More, he implied that e rattling man has his price (4)! steady though Rich feels sheepish for betraying More, he continues to go on with his treason, because it was only for his own corking to rise power. Later in the play, when More has a saving with Roper and Alice, Roper tell that More must snitch Rich for being a spy for Cromwell, but More said that there is no law against him. (65), Roper responded that there would be matinee idols law, but More was great(p) and fair and answered Then God can arrest him. (65). This shows the indorser that More still belives in his friendship to Rich. He acts very virtuous to leave Rich with his own destiny.\nMore is overly shown as a man of virtue, when he was the new prime minister his family got very angry on him, because of not saying anything to them nearly his new appointment or job as a chancellor. On page 90 More speaks to Norfolk, a...
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